Search: Starring William Forsythe

The thriller element is compromised by pot noodle psychology.

Even the title is rubbish.

The Devil's Rejects is not primarily a horror flick. It's a gritty, grotty, rustic, action/revenge thriller.

Wes Cardino's cinematography blends the soft golden shades we associate with a homecoming with stark empty skies and long bleak fields.

Freedomland attempts to touch as many storytelling bases... as possible and misses the respective targets by miles.

Natasha Richardson gives an intelligent performance that captures the intensity of her fear, without losing touch with the humanity of a situation that involves other women with different agendas.

Too many events in Raising Arizona are so ludicrous and out of place that they contradict the requirements of almost any genre.

There are so many distractions and superfluous plot points that the only way Bay can compensate is to turn every scene into an MTV blur.

The horror/vampire elements fundamentally feel like something of an afterthought.